Jesse Hirsch – The Counter https://thecounter.org Fact and friction in American food. Mon, 07 Mar 2022 15:07:09 +0000 en-US hourly 1 https://wordpress.org/?v=6.1.1 Broad agriculture coalition files federal complaint against John Deere, demanding the right to repair their own tractors https://thecounter.org/john-deere-tractors-federal-complaint-right-to-repair-ftc/ Fri, 04 Mar 2022 21:28:12 +0000 https://thecounter.org/?p=71893 The battle for farmers to fix their own tractors isn’t new. For years, in the face of increasingly complicated farm machinery and proprietary technology that makes it next-to-impossible for owners to do their own repairs, growers and ranchers have been lobbying federal and state governments to push back on the rigid constraints John Deere places […]

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The Federal Trade Commission has indicated it intends to crack down on ag companies that keep diagnostic and repair technology closely guarded.

The battle for farmers to fix their own tractors isn’t new. For years, in the face of increasingly complicated farm machinery and proprietary technology that makes it next-to-impossible for owners to do their own repairs, growers and ranchers have been lobbying federal and state governments to push back on the rigid constraints John Deere places on the maintenance and repairs of their equipment. This week, after years of fruitless appeals made to the manufacturing giant, a significant salvo was fired. 

“Two years ago, I would have laughed if you asked me about our chances of winning [the right to repair],” said third-generation rancher Walter Schweitzer, president of the Montana Farmers Union. “Now it’s suddenly boom, boom, boom—I feel very hopeful.”

Schweitzer is referring to a 43-page complaint filed against John Deere Thursday with the Federal Trade Commission (FTC) on behalf of the National Farmers Union, six state farmer groups, and a handful of advocacy organizations. The comprehensive complaint, detailing exactly how challenging John Deere makes it to fix their equipment, comes in response to the shared intent of the FTC and Biden administration to dismantle corporate consolidation in agriculture. As a key plank in that agenda, FTC chair Lina Khan announced last summer that her agency would be cracking down on John Deere and its competitors “with vigor.”

A junkyard showing an old broken John Deere tractor. March 2022

The Myers Ward Tractor and Equipment Company near Fresno, California is essentially a junkyard of virtually every type of farm tractor and tractor parts.

George Rose/Getty Images

“The Biden administration wanted to hear from farmers for some real evidence of how the policies of companies like John Deere are affecting their livelihoods,” said Kevin O’Reilly, right to repair campaign director for U.S. PIRG, a consumer advocacy group and one of the complainants. “We presented 43 pages of evidence to bolster their case.”

Currently, when a piece of John Deere equipment breaks down on the job, its owner is expressly forbidden from making their own fixes—only authorized, company-employed technicians have those permissions. And even if you attempted to conduct your own repairs, you’d find it next-to-impossible, particularly on newer, computer-driven models. Deere locks down its proprietary knowledge tightly, and without company-provided diagnostic software and equipment, even getting a sense of what’s broken is virtually out of reach. 

Agriculture is a profession rife with DIY spirit, where farmers are constantly pushed to do their own repairs and hacks because they don’t have the time—or spare funds—to outsource it. “If a piece of my equipment breaks down during planting season, time is a luxury I don’t have,” said Jared Wilson, a commodity corn and soybean farmer in Missouri. “My only purpose in life is to get it working again as soon as I can.”

“If a piece of my equipment breaks down during planting season, time is a luxury I don’t have.”

In the complaint, compiled by D.C.-based litigation firm Fairmark Partners, farmers detail a variety of challenging scenarios they’ve faced, with common themes: lengthy waits to get a Deere-authorized technician to service machinery; further waits for the actual repairs; crops and profits lost in the meantime; and overall frustration that a company making $6 billion annually can keep such a stranglehold on their own ability to do business.

The right to repair movement is far wider than farm gear—there are parallel arguments being made for laptops, cell phones, cars, and complex medical equipment. “It wouldn’t be fair to say we’re the first to make noise,” said attorney Jamie Crooks, managing partner at Fairmark. “We’re just situating ourselves as an important part of a broader movement.”

In fact, the battle for farm equipment self-repair is working on multiple fronts: statehouse lobbying, scattered pieces of federal legislation, even farmer hacking initiatives sharing knowledge of how to crack Deere’s codes. And John Deere is not the only target—with 50 percent of the U.S. tractor market, they’re simply the most powerful. “They’re the 900-pound gorilla,” said Schweitzer. “All the big tractor companies have this proprietary technology, but Deere is the biggest, and they’re also the ones fighting back.”

The Deer & Co. John Deere 8R fully autonomous tractor is displayed ahead of the Consumer Electronics Show (CES) on January 4, 2022 in Las Vegas, Nevada. March 2022

The Deer & Co. John Deere 8R fully autonomous tractor is displayed ahead of the Consumer Electronics Show (CES) on January 4, 2022.

PATRICK T. FALLON/AFP via Getty Images

In 2018, John Deere announced it would begin voluntarily making repair tools, software guides, and diagnostic equipment available for ordinary farmers beginning January 1, 2021. By all accounts, this promise failed to materialize. “The company simply lied,” said O’Reilly. “We don’t think they’re ever going to change voluntarily.”

The FTC granted itself subpoena power to investigate companies like John Deere, an indication that action may be imminent. If it so chooses, the agency can ultimately mandate Deere and other tractor manufacturers to open up their products to home repair (or even independent technicians, currently sidelined from conducting John Deere diagnostics and repairs in the same way farmers are). 

“The five FTC commissioners have all indicated their support of right to repair,” said O’Reilly. “They have the power to issue subpoenas, to access internal documents, to compel Deere executives to testify. And once they make a decision on our claims, they can take immediate action.”

The Counter reached out to John Deere for comment; if they reply, we will update this story.

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]]> She spent years as an ag journalist, often writing about how precarious life can be for small farmers. Then she started farming. https://thecounter.org/beth-hoffman-ag-journalist-san-francisco-iowa-challenges-bet-the-farm/ Thu, 11 Nov 2021 17:32:52 +0000 https://thecounter.org/?p=67321 Journalists who cover U.S. food and agriculture can find themselves face-to-face with unpleasant truths about how our food lands on the table. The industrial meat system is financially predatory, often inhumane, and environmentally unsustainable. Farmland is a hard-won commodity, often held by generations-old family concerns, or bought up by distant investors for increasingly large sums. […]

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Beth Hoffman moved from the Bay Area to rural Iowa two and a half years ago to take over a conventional farm. She thought she knew what she was getting into.

Journalists who cover U.S. food and agriculture can find themselves face-to-face with unpleasant truths about how our food lands on the table. The industrial meat system is financially predatory, often inhumane, and environmentally unsustainable. Farmland is a hard-won commodity, often held by generations-old family concerns, or bought up by distant investors for increasingly large sums. The federal government incentivizes and prioritizes monocrops like soy and corn. And farmers who prioritize more sustainable practices largely find the path to financial success untenable—even those who are able to fetch premium prices for their produce and meat.

Beth Hoffman takes a selfie while in overalls next to a green field and a barbed wire fence. November 2021

Beth Hoffman

Beth Hoffman, seasoned agriculture reporter and journalism professor, decided to move to rural Iowa to become a farmer with her partner.

Enter Beth Hoffman, a seasoned agriculture reporter and journalism professor who knew all these things, yet chose to move thousands of miles from San Francisco to rural Iowa to make a go as a farmer. The 530 acres in Monroe County came from her partner John Hogeland, whose father was conventionally growing soy and corn and raising cattle. Hoffman and Hogeland immediately set to work to convert the farm into something more sustainable—both environmentally and financially—raising grass-finished cows, organic-in-practice veggies, even bringing goats on to the farm to help clear brush. 

Still, it begs the question: For someone who was so intimately acquainted with farming’s challenges and outright perils, in a treacherous climate where countless farmers opt out of the trade every year, what made her go all in? We caught up with Hoffman, who was in the midst of toggling between autumn farm duties and promotion of her new book, Bet the Farm: The Dollars and Sense of Growing Food in America (Island Press, 2021), to hear what made her take such a radical leap, and how her project is doing, two years in.

When I first started freelancing for weekly newspapers in Salt Lake City back in the late nineties, my focus naturally gravitated towards food coverage. This was kind of cemented during grad school at UC Berkeley, where I got to study under Michael Pollan. I was exposed to many different perspectives there—you might be surprised to hear it isn’t just a “cult of sustainable ag reporting”—that was well-matched with my natural skepticism about everything.

John was my neighbor when I moved to Berkeley in 2007; he told me in our very first conversation that he planned to take over the family farm in Iowa after his kids were all grown up. Then once we were dating, and later married, we started spending summers here in Iowa. I began to have my own relationship to this place, and I thought about how I’ve studied this subject and written on farming for so long, and how it would be thrilling to try it out in practice.

It became a little bit of a game, to be honest: Could we get John’s dad Leroy to lease us the farm? He’s a very stubborn guy, now in his late 80s, and he’s farmed the same way his entire life—conventional corn, soybeans, and cattle. And to be fair, here we were coming in and saying, ‘Oh, we’re going to try all these different ways of growing food that we read about in books, organic farming and all that.’ I can see why Leroy was skeptical that we’d be able to pull it off. Who were we to think we knew better?

The learning curve is extreme, with every aspect of this work. There are a million practical considerations at all times.

If I had come out here by myself, I honestly don’t think there’s any way I could have pulled it off. At least John grew up around cattle and driving big machinery; he had some baseline level of knowledge. I think about this a lot, like if you just loved gardening and had some romantic visions of farming and decided to try it out full-time, how could you ever pull it off? 

The learning curve is extreme, with every aspect of this work. There are a million practical considerations at all times. What kind of forage should the cattle be eating to finish them on grass? How do you deal with flies if you’re not spraying? Feels like there’s some kind of technical thing that you need to know all the time, not to mention marketing, building a website, and finding people to buy your products.

“Ultimately this is a business”

I talk a lot in the book about the agrarian myth, this dream that you’re going to get your hands in the dirt, you’re going to live a simple life, that farmers are virtuous and are stewards of the planet, all while needing to nourish the community with healthy, fresh food. A lot of people end up saying things like, ‘I don’t want to sell these products for a high cost, because then only the affluent people in my community can eat this food. And there’s this sense of obligation to save the planet above making your farm a financially viable place to be. That is a lot of weight to put on farmers, especially those just starting out!

I think a lot about what “sustainable farming” really means. Even if you are trying to farm in environmentally responsible ways, if what you’re doing doesn’t cover the cost of production, and you’re not going to be able to make this work for longer than two or three years, then what is it actually accomplishing in the long run? 

There’s this sense of obligation to save the planet above making your farm a financially viable place to be. That is a lot of weight to put on farmers, especially those just starting out!

And even if you can swing not making any money for a certain period of time, how viable is it for future generations if you have improved the fertility of the land, but haven’t built an enduring business? If I had a restaurant or if I made widgets, I’d want the brand to have value that I could actually sell or transfer after I’m done. But with farming, all too often people are just thinking about the health of the land or growing as much as they can, and not so much about their business.

I get that. It’s so challenging, especially at the beginning farmer level, just to get up and running and to accomplish the chores of the day. We’re also talking about a demographic of people who prefer to be outside, to work with their bodies. Very often, the marketing and building the business side of things feels like, ‘Oh, that’s the stuff that I’ll do later.’ But there’s a price that’s paid when that side of things is neglected.

Safety nets

In 2019 the median income for farmers was literally $300. Yes, it’s really great to work your butt off for an entire year for less than $300. A million farms made less than $300, and I’d say that was the impetus for my book. Like wait a minute, how are people doing this? And how have they done this for generations, what’s the history?

I learned a lot from the stories I wrote for The Counter on farm transition a few years ago. I saw that it was extremely difficult for many farm families. I went to Michigan, for example, and interviewed people who had transitioned the farm quite abruptly after a family member died. I was just sitting there with this young couple, and the guy had tears in his eyes; they were dairy farmers, with hundreds of thousands of dollars in debt. Frankly, I would be very surprised if they still have that farm. 

Beth Hoffman takes a selfie with her dog and partner in field. November 2021

Beth Hoffman

Beth Hoffman and her partner John Hogeland with their dog on his family land.

I knew that the money we were talking about for our farm was much smaller. Also, I’m too cheap to go into debt; I wouldn’t be able to sleep at night. Like I discuss in the book, the idea that people borrow $750,000 to put up a chicken confinement facility on their farm, then they’re going to maybe make like $20,000 a year off it—I don’t think I could sleep. I’d lay awake worrying about how it was all going to work out in the end.

I also thought a lot about the fact that John and I came into this with privilege, with some family wealth with access to land. What about all the people who don’t? Not to mention the people—namely the Meskwaki and other tribes who lived in southern Iowa—who lost their land so that families like ours could still be here. There’s a direct correlation. I ALSO know that I’m probably not ever going to go hungry, even if we lost everything. I have money saved, I have family, I’d be okay.

And this is part of the problem98 percent of farms are “family farms” and 96 percent of landowners are also white—virtually all of the land in this country is owned by white people. (I wrote an opinion piece for the Des Moines Register about how unequal the system is.) This is a huge problem and we are an example of that. Throughout the book I talk about how John IS a fifth-generation farmer because his family was afforded bank loans, and was helped by the USDA with programs to help them stay on the land. In other words, our family has benefitted from the system when others have not.

The path ahead

So how do we change this system? 

There are a lot of wonderful ideas out there that people are working on. But we are trying a model that we’re calling co-farming, where we are looking for farmers to come and work on the land with us for free, or eventually maybe for a small percentage of their sales. There are a lot of details to work out, but we imagine other farmers running their own enterprises on our land so that they can build their own equity and wealth. We could share equipment so it’s kind of cooperative-like, but they keep their own enterprise or brand. One of the problems I see with cooperatives (I discuss this in the book) is that they require a significant buy-in each time someone joins, and that can be too much for a young farmer. But in our version young people are not transferring their wealth to us in the form of rent—which might help them afford the upfront costs of farming. 

An example would be if we found someone to have poultry on the farm. They could pay “rent” in the ecological service of the chickens, who eat maggots out of cow shit (which keeps the fly population low for the cattle). We’ve got to figure out a way to allow people to start farming that’s not too financially burdensome on that younger generation. 

You asked if our neighbors think we are crazy for trying all these new things. I think that these past couple years things have gotten bad enough for most farmers, that I don’t think anybody will fault us for trying something different. I don’t think anybody’s looking at us thinking ‘Why don’t you grow corn, we all grow corn?’; it’s more like ‘Good luck, let me know if that works.’

White goats with blue dots on ears eat leaves and grass closely together. November 2021

Beth Hoffman and her partner John Hogeland immediately converted the farm into something more sustainable, raising grass-finished cows, organic-in-practice veggies, and using goats to help clear brush.

Beth Hoffman

Our next step is we’re hoping to build a commercial kitchen, where we can process our own foods and rent it out to people who want to have small businesses, but also be able to do cooking and educational classes. We are also actively looking for people to join us on the farm (Please get in touch if you are interested!)

John and I are both 53 years old, and are aware that in 10 to 15 years, our bodies might not be able to do the physical work of farming. So we think a lot about what we can really accomplish here in this amount of time. What can our legacy be? 

We both think that one of the things we might be able to do in our short time is help shift the culture of this area slightly so that what people eat matters more and the population gets to expand their ideas about what to cook. If people ate more of a range of foods, that could create more of a market for farmers wanting to grow things other than corn and soybeans. In the end, that is the shift that the planet needs.

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]]> “I call it seed to stage”: At world-renowned dance space Jacob’s Pillow, choreographer Adam Weinert is teaching his dancers to farm https://thecounter.org/rewrites-jacobs-pillow-choreographer-is-making-his-dancers-learn-to-farm/ Wed, 04 Aug 2021 15:18:00 +0000 https://thecounter.org/?p=62982 Adam Weinert is a noted dancer and choreographer; his adult life has been almost entirely consumed with dance. But something ate at him for nearly a decade, a sense of wanting to grow food, to work with his hands, to farm. In his off hours he studied farming online, attended agriculture conferences, and gained practical […]

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The Berkshire-based performance venue owns more than 220 acres of verdant land. During the pandemic, Weinert started cultivating it.

Adam Weinert is a noted dancer and choreographer; his adult life has been almost entirely consumed with dance. But something ate at him for nearly a decade, a sense of wanting to grow food, to work with his hands, to farm. In his off hours he studied farming online, attended agriculture conferences, and gained practical skills without anywhere to try them out. During the pandemic, his side passion found purpose. He convinced Jacob’s Pillow, one of the most renowned dance spaces in the world, to let him start farming a couple acres of their land. The produce would be used to feed the Pillow’s thousands of staff, performers, interns, and guests, while allowing Weinert to stage performances in the growing fields. Notably, this would not be the first time Jacob’s Pillow had a team of dancer/farmers working the land: Its founder, Ted Shawn, made his performers do several hours of daily farm work back in the 1930s. Everything old is new again.

I was a student at Jacob’s Pillow all the way back in 2003, as a high school kid. Since then I’ve been back a number of times, in a number of ways. I performed there. I was a research fellow. I taught there. I brought my company there three times. I just keep finding new excuses to go back and involve myself.

The first proposal I put forward for this farm project was in 2014, and I basically tried to convince them it was a great idea every year since then. Last year when Jacob’s Pillow was closed, these conversations started taking on a different tone—a more serious consideration. You can imagine that during a busy festival, it’s hard to create brain space for an idea that’s a bit outside of everybody’s wheelhouse. Covid gave everyone a pause to think about what’s possible. I also think that the last year brought to the fore some issues around the vulnerabilities of our food systems. Finding ways that this farm project could help the Pillow achieve some of their sustainability goals, I think that was key.

This project is kind of old, kind of new. Originally, in the 1930s, they grew most of their own food here. It’s a bit unclear when that practice fell away. I’ve read diaries of chefs over the course of the Pillow’s history, and at different times they do refer to harvesting some turnips or whatever. But there hasn’t been any edible landscaping to speak of for many decades, no real growing program. This is truly harkening back to a beforetime.

Fred Hearn; Richard Merrill 1936, courtesy of Jacob’s Pillow Archives “Dancer Fred Hearn tending to the garden

Dancer Fred Hearn tending to the garden at Jacob’s Pillow, 1936.

Richard Merrill 1936, courtesy of Jacob’s Pillow Archives

I grew up in Manhattan, pretty far from the farming life. If it had been available, I probably would have been a nature kid. I did spend a few summers with my grandmother in the south of Wales as a kid. She was a passionate gardener, and I think she probably gave me the bug. In the last decade I’ve been learning more and more about farming, attending the Young Farmers Conference, coming up with a conservation action plan, a business plan, different kinds of crop rotations. This year is my first full-on growing season.

I’ve been outed as a total novice [laughs]. We’re working with a group called Greenagers who are this very cool, Berkshire-based nonprofit that empowers young people through growing. They have trailblazing crews, agricultural crews, victory garden crews. They’re giving them paying jobs in agriculture. And these kids, or I should say young adults, they know a lot more than I do. On the first day in the field, we hit this boulder in the middle of our primary growing area. It was huge; we never found the edges. I basically had to scrap my entire growing plan.

I had done all the research, I had this plan, it was meticulous, it was all the things. And it was interesting because I started training in dance 30 years ago, and I became accustomed to confidence in my mastery of that form. I feel like a total expert in dance. And then here I am in this farming stuff, and I’m forced to contend with the clear reality that I’m not an expert. It’s humbling! 

Adam Weinert tends to the soil while a fellow dancer watches from above. July 2021

Weinert is relatively new to farming, but he’s been attending agriculture conferences and studying diligently for years in preparation for this transitional moment.

Jesse Hirsch

We’re starting with this field which is about an acre and a half. Right now we have 16 35-foot rows. Then we also have a perennial garden which is a bit more whimsical than the garden-style rows. The Pillow has over 220 acres, so if this goes well and is able to be incorporated into food services, there’s a lot of room for growth. There is a lot of land which is underutilized. And we’re looking into things like agroforestry and silvopasture; pigs could do really well in those woods. I haven’t actually gotten the green light to start raising pigs, but I’m hopeful!

We’re approaching this as a year of deliberate experimentation. We have lettuces, kales, chards, peppers, squash, tomatoes, a lot of herbs like basil, parsley, eggplant, corn, arugula. One that I’m excited about is the arnica bed. You know arnica is used by dancers all over the world for sprains and injury. I like the idea of making a salve out of that. We have a tea blend bed because I’d love to have tea for volunteers or people who want to visit the garden. 

The dance festival sits nicely inside of the growing season, but it ends a little early, around mid-August. So we’re kind of focusing on things that are fast to grow like peas and lettuces. I was trying to find crops that are quickest to maturity, plus perennials like strawberries and blueberries. Last week we had our first harvest. Seven and a half pounds of produce; I don’t mind bragging!

Adam Weinert gives growing lessons to dancers Brandon Washington, Ching Ching Wong, and Cynthia Koppe (L-R).

Adam Weinert gives growing lessons to dancers Brandon Washington, Ching Ching Wong, and Cynthia Koppe (L-R).

Jesse Hirsch

Right now we have two volunteer days a week, a Saturday volunteer day for the public, when anybody can sign up to come help. And then Mondays, which is the festival’s day off, so we have a volunteer day for the Pillow family. That’s been really sweet, to get interns from the archives or people in the administration working in the field. I would love to incorporate farmwork into the training regimen for all of the students, because that’s what Ted Shawn and his dancers did. They had two or three hours a day of farm work, and that was part of their physical training as well as their creative practice. 

Ted Shawn was also trying to create a whole ecosystem for dance. He thought it was important that his dancers be away from the city, that they live close to nature, eat simple food. And he wanted his dances to be relatable to the broad American public. At that time, most Americans had laboring jobs, so he wanted his dancers to have an experience of that. He thought ballet was this sort of bourgeois Eurocentric thing and he wanted his company to be a populist, for-the-people kind of movement. And a big part of that was a connection to the land.

There was a lot of thought behind it; it was very intentional. It was also practical because this was the Great Depression, and they needed to feed the performers. I love that duality. They did this farm work every day so I thought okay, I should do that as part of my process; it’s like method acting. But to be honest, after just a few weeks, I really felt a profound change—in my sense of rootedness in the ground, in my sense of space and time. 

Ted Shawn’s Men Dancers, Courtesy of Jacob’s Pillow Archives

Ted Shawn’s Men Dancers, Courtesy of Jacob’s Pillow Archives

Courtesy of Jacob’s Pillow Archives

My dancers are finally visiting the farm [the week of July 4]. We’re doing this performance where we’re going to be harvesting the garlic and offering it to members of the public; that was the first thing we planted last October. And we’re performing a reconstructed dance from 1916 called Tillers of the Soil, which was a duet for Ted Shawn and his dance partner Ruth St. Denis. So that’s sweet. It’s a pantomime of tilling a field, but we will be performing it in the actual garden so we won’t need to use our acting as much.

One of my dancers, Brett Perry, who I went to school with, is now working on a farm in Boise, Idaho. Another dancer I worked with for years has an urban landscaping company in Brooklyn. Another dancer I know is in horticulture school. There’s something there, a connection of dance and growing: It’s not just me. I feel the connectivity. There’s this sweat equity. It’s this sensuous thing. I feel it intuitively, though I struggle finding the language to articulate it. I would just love to help find the language to get at what this connective tissue is.

A hand shot of a dancer at Jacob's Pillow ties a tomato plant to a branch. July 2021

Dancer Cynthia Koppe ties tomatoes for the first time at Jacob’s Garden in early July.

Jesse Hirsch

I know that dancers can have a really strange relationship to food; personally I struggled with bulimia throughout my career. Dance is a visual art form and how you look affects the parts you can get. But dancers are also athletes. You need to be fueling your body in specific ways, and I think that’s where you can get into trouble. I haven’t figured out exactly how to tackle eating disorders with this farm project yet. But it’s all there. 

I’ve also found it incredibly empowering to grow things out of the earth. With dance you work so hard and at the end of the day, the dance is over and you have nothing to show for it. But here, here’s a tomato. It’s a real thing, it’s tangible, it’s in your hands. It’s a thing that nourishes people. It’s really powerful.

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]]> This corporate lawyer gained 2.3 million TikTok followers in the last year, “veganizing” Korean recipes https://thecounter.org/rewrites-the-korean-vegan-corporate-lawyer-viral-tiktok-recipe-videos/ Fri, 25 Jun 2021 19:25:42 +0000 https://thecounter.org/?p=60972 Joanne Molinaro has spent decades working in bankruptcy and antitrust matters at the same Chicago firm that hired her right out of law school. In 2018, she felt blessed to land a book deal about her experiences growing up Korean-American, with an emphasis on food and a handful of recipes. But last year her life […]

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Joanne Molinaro, aka “The Korean Vegan,” has had quite a year on social media. Most of her lawyer colleagues have no idea about her second life.

Joanne Molinaro has spent decades working in bankruptcy and antitrust matters at the same Chicago firm that hired her right out of law school. In 2018, she felt blessed to land a book deal about her experiences growing up Korean-American, with an emphasis on food and a handful of recipes. But last year her life was completely upended (possibly even more than the rest of ours were) after the 41-year-old lawyer launched a TikTok account, centered on “veganizing” Korean food–in just one year, Molinaro gained a stunning 2.3 million followers. 

I was drawn to the law out of anxiety, honestly. I graduated from college a year early with an English degree, and I was so unprepared. As soon as I left college, I felt this immense pressure to get a job. Like be an adult, you know, instead of kind of taking some time to figure out what I want to do or go right to grad school.

Joanne Molinaro buttering a muffin. June 2021

Courtesy of Joanne Molinaro

In July 2020, Molinaro started her TikTok account and gained 2.3 million TikTok followers in the last year, “veganizing” traditional Korean recipes and other vegan dishes.

Indirectly, the pressure was from my parents–I’m always trying to please them–but directly, it was me. I was so afraid of being an adult and having financial things to worry about; all I cared about was having a steady job. And having what others deemed a successful career. 

I couldn’t be a doctor; I can’t stand the sight of blood. So medicine was out, and I hate selling things, so I couldn’t do anything in business. So out of my three well-paying options, medicine, business MBA or law school, the other two were eliminated. Law school was literally prompted by fear, not, ‘Oh I want to change the world’ or something.

Throughout my life, food was always a big focus. In a general sense, I think it means something a little different for immigrants. When I left home for college, I hadn’t realized how reliant I was on my family for feeling safe and secure. Korean food became a stand-in for my family when I was away. It was something that symbolized safety and warmth. 

Going vegan started about five years ago with my husband (boyfriend at the time). He read a book called Finding Ultra by Rich Roll, and it inspired him to change his eating habits. He’s a runner, and it was mostly for health reasons. I didn’t want to go vegan! I thought he was crazy; I was doing Paleo at the time so it was exactly the opposite. 

There was a lot of tension; we almost broke up over it. I felt kind of like, okay, white boy, it is easy for you to go vegan, but for me like you’re asking me to give up my fucking heritage and my culture–it’s not that simple! Replace all the things I grew up eating and with kale and quinoa? I’m not going to do that. It wasn’t fair to Anthony, but it’s how I felt.

I hadn’t realized how reliant I was on my family for feeling safe and secure. Korean food became a stand-in for my family when I was away.

So many of my memories of Korean food involve meat. My uncle manning the grill, my dad pounding the short ribs, my mom marinating it, my grandma painstakingly taking all the bones out of the fish or the crab meat out of the crab for me and my brother. I have so many memories because, you know, meat to my family represented survival. Eating meat felt like, ‘Oh my god we made it.’ 

I started the Korean Vegan, ironically at Anthony’s suggestion. After I started veganizing Korean food and pastas and chocolate cake, he was so impressed. He was like, ‘You should start a YouTube channel.’ Literally that night, I came up with an Instagram and YouTube account and just started posting shit like, I made this kimchi pizza or I made this plant thing that reminds me of bulgogi.

Before that, my social media experience had mostly been a Tumblr account where I wrote poetry. This was new–when you post something and it gets 15 likes, that rush is very addictive. It’s one of the cool and also dangerous things about social media. Through Snapchat I soon met a couple of big food bloggers, and they helped me propel the Korean Vegan to a moderate following. In April of that same year, I decided to launch Koreanvegan.com. It was the first time in my life where I started to even have a tiny little inkling that I could do something other than be a lawyer.

I don’t think Korean people wanted anything to do with my account at first. It was the same negative reaction that I had when my boyfriend was like ‘Hey, do you want to go vegan?’ But I think there were a lot of white people who wanted to try Korean food and this one happened to be vegan.

November 2016 was one of the most traumatizing experiences of my life. If you remember the beginning after Trump was elected, a lot of polarization was around the wall, keeping out all those immigrants. I wanted to humanize the immigration story so that maybe people who were at least on the fence about some of this stuff could remember there are humans behind this policy. In 2017 I wrote my first caption that wasn’t just, ‘Here’s the recipe for my raw blueberry tart.’ It was a story about my mom or dad about me growing up being Korean; it wasn’t dealing with food issues or anything. I think that’s when I think people started seeing the Korean Vegan as more than just a recipe Instagram.

I don’t think Korean people wanted anything to do with my account at first.

My book deal came in 2018. I had maybe 37,000 followers at that time. Then, in July of 2020, I started using TikTok because I wanted to be more politically engaged. I was going to post like, smarmy, rage-infested posts about Donald Trump. Then I started seeing some food content, and I thought, I could do that! It was honestly really ugly at first. I literally propped my phone up against the wall while I was chopping potatoes. My husband’s giving a piano lesson in the background; you can hear his voice and the piano. I don’t have any voice in there; I’m just throwing some potatoes in the pan. All of a sudden I’m getting a million views on a disgusting potato video that had horrible lighting and no composition. I was like, ‘Oh my god you’ve got to do this every single day.’

TikTok is definitely my main gig now, there’s no question. But there are certain things that I do not compromise. I don’t compromise my job with the law and I don’t compromise my running. Those things are absolutely non-negotiable. They take up the first parts of my day; whatever time I have left over I devote to social media. Luckily my husband understands my hierarchy of priorities. 

I don’t think most of my co-workers know about my second life as Korean Vegan. They’re all very busy professionals doing their own thing. My close friends at work, they all know and are super-proud, but the overwhelming majority of people don’t really know much about it. I got an email the other day from a partner who’d seen my CNBC interview and she said, ‘Dude you should just quit this law thing and just go straight to Hollywood. I was like, ‘I don’t think that’s how it works.’

It’s crazy though, how fast my life has changed. Patricia Arquette tweeted me; she is one of my favorite actresses. Chrissy Teigan, too. Even just the fact that there are 2.3 million people on TikTok who follow me is insane. I started that account less than a year ago. I was walking my dog the other day, and somebody was like, ‘Excuse me, excuse me: Are you the Korean Vegan?’

I am very loyal to my law firm, because they’ve done such an amazing job of nurturing me and investing in me. But I also love what I do with the Korean Vegan. There will come a time where I feel like I can’t do both. I don’t know when, but it probably will happen. So it’s certainly something to think about. I will say in the past seven months, this has turned into something that I never dreamed or imagined. My life now is unbelievable.

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]]> I opened a wine store in NYC, right before the pandemic started. My entire business has been defined by Covid. https://thecounter.org/wine-store-nyc-east-harlem-pandemic-liquor-store-covid-19/ Tue, 09 Mar 2021 18:36:15 +0000 https://thecounter.org/?p=56300 Scant weeks before New York City introduced its first pandemic-related restrictions last March, 37-year-old Tewelde Debessay opened a wine shop in East Harlem—the neighborhood that would suffer the highest Covid rates in all of Manhattan. Located on the far eastern edge of the island, Debessay’s tiny shop sits on a block with a slice joint, […]

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“What’s it like to have a business when everything is normal?”

Scant weeks before New York City introduced its first pandemic-related restrictions last March, 37-year-old Tewelde Debessay opened a wine shop in East Harlemthe neighborhood that would suffer the highest Covid rates in all of Manhattan. Located on the far eastern edge of the island, Debessay’s tiny shop sits on a block with a slice joint, a Puerto Rican take-out spot, and not much else. 

Melover Wine & Spirit is a whisper of a storefrontan array of hard liquor behind a tall counter, a narrow aisle that only accommodates two customers if they flatten themselves, and a floor-to-ceiling array of wines along the back wall. Most of Melover’s sales come from spirits, but wine is the shop’s raison d’etre. Debessay was hoping to curate a selection of wines that threaded the needle between sophistication and a reasonable price point, host some tastings, even function as a wee community hub. Instead, like virtually every other small business owner, he spent the last year worrying about his survival.

Spoiler: Melover made it through, but there were more than a few moments of doubt. Debessay, who moved to New York from Eritrea just over 10 years ago, counts himself blessed to be heading into work each day after an extremely challenging first year. Still, he’s ready to turn to the next page of his story. 

-Jesse Hirsch

I never drank wine in my life, before I came to the USA. In Eritrea, most of my adult life was spent in the army. My country, it is a dictatorship, and when you finish school most people are just in the army.

When I got here in 2010, my first job was at a wine store, over at 128th Street and St. Nicholas. I always ask questions from the sales people, and I read about different grapes and I learn how weather and location change flavor. You have to be patient, ask a lot of questions, be ready to learn. 

After I was working there seven, eight years, this is when I decide to open my own business. To be honest, I was looking all over Harlem, the Bronx, and it is hard. You have to find a space, then apply for a liquor license. While you wait for a license, you pay rent at empty store for six, seven months. This I cannot afford.

The storefront of Melover Wine and Spirit in East Harlem, New York City. March 2021

Jesse Hirsch

Weeks before the first Covid restrictions last March, Tewelde Debessay opened Melover Wine & Spirit in East Harlem.

This space I found, it was a liquor store already. The owner, he wanted someone to take the space and he would sell his license too. He was eager to sell. When I first came to look at the neighborhood and see the environment, it was not good. People everywhere on streets, there is fighting and other things, but this is what I can afford.

This area has other liquor stores, not far from this, but I wanted to do something different. I did not put up glass between me and customer, I want to talk to people and teach them things about wine, say, “Hey this is good for your dinner.”

I moved in, then after a few weeks it was pandemic. I was very nervous for my business! I had not been open very long, so no one knows I am there. Suddenly people are not going outside their house, how will they know about this store? 

But I have good luck for not-good reasons. Other liquor stores around here closed down because workers got sick or were scared to work, but not me. For some time, I was the only place to buy alcohol, and then people got to know I was here. I also stay open later, until midnight.

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But there is a problem. I have so many customers, they come just for nips (small, one-shot bottles of alcohol): vodka, tequila, one dollar, two dollars. This was my worry, when I see the location, all the bus stops to different boroughs I have right outside, many people on the street. I don’t like to say people are crazy but some people are screaming sometimes, doing crazy stuff. This is different from how I picture my business.

What I always thought about a liquor store, especially during pandemic, it is just like a pharmacy without prescriptions.

To be honest with you, liquor is this drug for some people. What I always thought about a liquor store, especially during pandemic, it is just like a pharmacy without prescriptions. When I open my store in morning, sometimes people are waiting for me. They are shaking with their hands and they need something, at least one shot.

Sometimes I tell people “Please don’t buy alcohol, drink water, you will get so sick.” But then other customers I am telling “Oh for steak you want this good wine, have a glass of wine with your family.” It is strange, this business.

Another thing is, how can I say this? I had some customers at the beginning, they seemed like a relaxed person, nice people. Maybe I saw them in a suit for work. Now these people, some of them just seem down. Maybe they don’t have their job now, I see their clothes, they don’t take care of themselves. They are not smiling, not so relaxed. It makes me sad to see this.

I have only one worker, he is part-time. He is from Ethiopia, a runner, he came to U.S. to run. His English, it is not so good, but he learns. Sometimes it is hard, if I go out to buy soup or use bathroom, he is the only one here and maybe does not understand customers. He is good with cash, transactions are good. But a customer says “What cognac is good?” and he does not understand. It takes time, I know this. I took 9 years and am still learning English.

When I am working alone, I think customers do not know this, which is good. They think someone is in the back or in the basement. I have an alarm, I have a taser. A lot of people say I should apply for a gun. In New York you can have a gun if you own a business, so I think about this. Sometimes I feel ready to do that, you know? It’s good to have. Don’t use it, but it’s here. Just like, protection. If somebody comes to kill you, you’re going to do that. If you take it out, they could just run. 

Sometimes what I see is, I don’t see customers. I see only the virus.

I had one customer, he’s homeless, he told me: “I need it, I really need it, you have to give me something, give me something.” I’ve got a stick. And, like this, I just take it out, the stick, I hit the counter. (boom) I just have to make him scared. Boom. Then he went outside. At least so far so good. 

I’m lucky to have the other businesses near me. The Puerto Rican restaurant closes at 4 o’clock so at night it’s me and the pizza shop. The guy who owns the pizza place, John, we watch for each other. If I tell him there’s a scary guy or something, he’ll come in and say “Everybody out we have to clean the store!” Maybe he calls police. We can help be safe.

I think last year, I saw so many angry people. My store is small; people stand close to each other. So much yelling sometimes! I won’t say it’s hate, but we have lost some love. That is the worst thing.

I put up a sign for masks on the first day, but some customers, they didn’t want to do this. I used to say, well, you have to put your mask on. And the people get mad at me. They don’t understand. Maybe they don’t believe that there is a virus outside. This is less of a problem now; most people are aware. But I still have to ask sometimes, and it’s uncomfortable if they don’t want to do this. 

Rows of wine on the shelf in the wine store Melover Wine & Spirit in East Harlem. March 2021

Jesse Hirsch

Tewelde Debessay is from Eritrea and never drank wine until he moved to the USA 10 years ago. He wanted to host wine tastings at Melover before Covid-19 happened.

My sister lives in New Jersey, she worked at a casino before it closed. Our mother calls us from home, she says “Get out of there!” She sees New York and New Jersey on the news in Africa, so much Covid here. She thinks we should leave, it’s too dangerous.

I’ll be honest: I do not feel safe. I have to talk to people all day, talk talk talk. Sometimes what I see is, I don’t see customers. I see only the virus. My worker, he didn’t come in for a while because his family did not want him to be sick. But he wanted to work, and I needed him here, so he came back after some time.

I think of putting up a glass shield on the counter, but people want to talk to me, they ask about which tequila is good, or alcohol content in a wine, things like this. The store is so small, a glass would make it even smaller. I don’t want to get sick, but I need to talk to customers. 

It is strange, in some ways the pandemic helped me. Because I stayed open and people got to know me. I have not been sick, business is good, I’m even doing delivery to other neighborhoods now. But New York City doesn’t seem like New York City. 

I want to know: What’s it like to have a business when everything is normal?

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]]> My greatest joy in lockdown is damaged, discontinued, and nearly expired groceries https://thecounter.org/covid-19-essay-surplus-grocery-lockdown-damaged-discontinued-food-nyc/ Wed, 25 Nov 2020 18:04:26 +0000 https://thecounter.org/?p=52526 Since March, I have eaten upwards of 20 frozen cheeseburgers made by Cincinnati-based AdvancePierre Foods, a foodservice company boasting the inspirational slogan: “With the best microwaveable bread in the business, we set the standard for microwaveable sandwiches.” These sandwiches exist in the narrow niche I’d call “cheeseburgers sold at gas stations,” the kind you heat […]

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“It’s a glorious mashup of the posh, the highly processed, and everything in between.”

Since March, I have eaten upwards of 20 frozen cheeseburgers made by Cincinnati-based AdvancePierre Foods, a foodservice company boasting the inspirational slogan: “With the best microwaveable bread in the business, we set the standard for microwaveable sandwiches.” These sandwiches exist in the narrow niche I’d call “cheeseburgers sold at gas stations,” the kind you heat up in a crusty public microwave for one minute. Little gray meat puck, bright orange shiny cheese, sesame squish bun—not exactly “delicious,” per se, but there is a pleasant neutrality that allows me to customize with flair. Add some pickles, fancy mustard, jalapenos or whatever, and I’ve got myself a bespoke lockdown lunch.

“But, Jesse, it’s unlikely you live in a gas station!” you might be thinking. “How do you access such treasures in your home kitchen?”

Let me tell you about a little something called the “surplus grocer,” where nearly expired, lightly damaged, discontinued, and overstocked groceries find a home. Inside this tightly packed shop, roughly twice the size of a bodega, I’ve nabbed salted cashews, grass-fed beef, bags of key limes, Oatly, tinned fish from Denmark, bulk bags of buffalo wings, Hungry Man dinners, government walnuts, and Go-Gurt. It’s a glorious mashup of the posh, the highly processed, and everything in between. 

Truth is, subjecting ourselves to this grocer’s random lottery is quite possibly my top source of joy and wonder during an objectively terrible year.

“You walk in with a rough idea of what you want or need, maybe some pasta or beans to fill a gap at home, but as soon as you get in there it’s a free-for-all,” says Ashley Chaifetz, a USDA research analyst who researched surplus grocery stores while completing her Ph.D. in public policy. 

The exterior reads like a standard NYC dollar store: torn yellow awning bearing words like “Deals,” “Steals,” “Better Priced,” and “Happy”. The windows are thick with grime, mostly papered over with old Goya boxes. I never would have discovered it at all, were it not for the stream of heavy foot traffic, and the unmarked refrigerated trucks perpetually unloading in front. I peeked in one fateful day and my eyes went wide like a cartoon wolf.

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Before the pandemic, I considered this store a novel treat, a whimsical outlet to supplement Manhattan’s mediocre grocery chains. My partner Abby and I would pop in randomly, grab some zany snacks and desserts, maybe a few frozen enchiladas for lazy weeknight dinners. Before we started working from home, I’d bring in oversized nacho Goldfish and off-brand Fig Newtons to The Counter office for my colleagues to hork down on deadline. 

Now? It has become the primary food source for my household, as we are lucky enough to live on the same block. In that odd pandemic calculus we all make, we’ve concluded that the less we stray from our apartment’s immediate vicinity, the less ambient Covid germs will drift into our orbit (this is not science). But if I’m totally honest, it’s not just the proximity. Truth is, subjecting ourselves to this grocer’s random lottery—never knowing what treasures our fridge and freezer and pantry will be filled with—is quite possibly my top source of joy and wonder during an objectively terrible year (honorable mention to Abby and our dog).

It’s a communal store, precariously so. The aisles are narrow and jammed up with food, not necessarily in a way that makes sense. (Yesterday I informed a man who couldn’t find black pepper that they keep it behind the counter alongside the dental floss and the Godiva chocolate.) This physical closeness forces camaraderie, and also friction! I’ve bonded with at least 30 strangers this year: when we find something weird like gingerbread hummus or fermented pomegranate juice, or when a song comes on that we all like, or when we just want to marvel in our good fortune. Masks are mandatory, but spottily enforced (if you need one, they sell zebra print and hot rod masks from China). I’ve also seen several unexplainable shouting matches that nearly resulted in fistfights. 

Jesse Hirsch and Abby stand inside the surplus grocer during the pandemic. November 2020

Abby Carney

Jesse with Abby inside the surplus grocer.

The shop is run by a group of roughly a dozen French-speaking African transplants, each quick with a wisecrack and smile. I’ve asked a few times about their sourcing, but my questions are treated like a toddler who’s trying to learn a magician’s tricks (sly wink and a, “Oh run along, you”). Still, the supply chain remains an object of intense interest: How do they end up with personal-size cups of shrimp-cocktail-to-go from a tiny seafood processor on the Gulf Coast of Georgia? How did they obtain five-pound bags of Totino’s pizza rolls packaged in stark, black-and-white bags that warn, “For foodservice only?” Where did they get five crates of fresh pineapples with weird, ragged plumage?

No matter. As NYC shuts down again and we brace for a long, hard winter, the surplus grocer will provide. Every two weeks we will cast our lot to the grocery Fates, an array of whatever misfit vittles end up in our little corner of East Harlem.

I don’t know what we’ll end up eating, or where it came from originally, but that’s okay. To quote one of my favorite twangy folk songs, “Think I’ll just let the mystery be.”

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]]> Aunt Jemima is out, and Uncle Ben is rebranding https://thecounter.org/quaker-aunt-jemima-racist-logo-rebranding-uncle-ben-mars-blm/ Wed, 17 Jun 2020 21:47:46 +0000 https://thecounter.org/?p=44984 This week, after decades of pressure to ditch its racist Aunt Jemima branding, the Quaker company (owned by Pepsico) announced it would eliminate the line of pancake mixes and syrups. Soon after, the Mars corporation told Adweek it would be making a “substantial visual change” to its Uncle Ben’s rice logo, and that they actually […]

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It is no secret that these corporate logos were steeped in decades-old racist history, so why did change take so long?

This week, after decades of pressure to ditch its racist Aunt Jemima branding, the Quaker company (owned by Pepsico) announced it would eliminate the line of pancake mixes and syrups. Soon after, the Mars corporation told Adweek it would be making a “substantial visual change” to its Uncle Ben’s rice logo, and that they actually thought of it first: “We … have begun that work even before news of Aunt Jemima.” (As recently as April 21, Uncle Ben’s owners stood by their branding.)

All this, on the heels of the announcement this spring that the Native American woman on boxes of Land o’ Lakes butter was no more, and the Chiquita corporation quietly removing the controversial “Miss Chiquita” logo from their banana stickers.

It was no secret that these corporate logos were steeped in decades-old racist history, so why did change take so long?

The logo’s original inspiration was a minstrel show around the turn of the 19th century, with a popular song called “Old Aunt Jemima” being sung by a white man dressed as a black woman.

Do you remember the Frito Bandito? Perhaps not. In the late ‘60s and early ‘70s, he was the mascot for Fritos brand corn chips. Watch this old commercial to figure out the schtick, quick: Speaking in broken English, this Mexican thief may show up at your house to shoot you for your precious snack. Always be ready to appease the bandito by keeping extra bags on hand.

After outrage and public pressure from civil rights organizations, the Frito corporation made small concessions, removing his beard and gold tooth. After Robert F. Kennedy was assassinated in 1968, the bandito no longer brandished pistols. And finally, after some T.V. stations refused to air the ads in 1969, the company eventually phased out the bandito altogether.

In her most recent iteration, Aunt Jemima, a smiling caricature of a Black woman, has been around since 1989. Much like the Bandito losing his gold tooth, the late-’80s rebranding was a slow evolution from Jemima’s original form, a crude depiction of the “Mammy” stereotype. The logo’s original inspiration was a minstrel show around the turn of the 19th century, with a popular song called “Old Aunt Jemima” being sung by a white man dressed as a black woman. After attending the show, two grain-company magnates decided Aunt Jemima would make an ideal brand ambassador.

“When you go back to the very beginning, it’s so clear that she was a product of white supremacy. Even her honorific ‘Aunt’ came from the tradition of not calling Black people ‘Mrs’ or ‘Mister’.”

“I was looking at Twitter yesterday, and it was interesting to see people sincerely asking, ‘What’s wrong with Aunt Jemima, she just looks like some Black lady from the ‘80s!’” says Brian Behnken, a historian at Iowa State University who focuses on race and civil rights. “When you go back to the very beginning, it’s so clear that she was a product of white supremacy. Even her honorific ‘Aunt’ came from the tradition of not calling Black people ‘Mrs’ or ‘Mister’.” (Also see: Uncle Ben.)

Aunt Jemima’s old ads often included slogans in broken English. Her product was a sponsor for mid-century variety shows on radio and television; for awhile there was a Disneyland restaurant called Aunt Jemima’s Pancake House, replete with a costumed hostess. Behnken says her products were depicted being used by white families to give the sense that convenient kitchen items were a replacement for having Black help—essentially “a nanny in a box.”

The removal of a couple of iffy, outdated logos might seem like a long-overdue response at worst and at best, well, small pancakes. But Behnken, who co-authored the book “Racism in American Popular Media: From Aunt Jemima to the Frito Bandito”, says it reflects a fairly profound culture shift.

“The calls for change are so broad-based that corporate executives can see significant losses in profits if they don’t respond.”

“I don’t like to say ‘History repeats itself’ but I do think history rhymes,” he says. “It’s not difficult to see parallels between this moment and the civil rights movement—multiple civil rights movements, really—of the late ‘60s and ‘70s.” The Frito Bandito’s disappearance, for example, came after significant pressure from Mexican-American activists. Behnken says that corporations which have long been resistant to change are finally making concessions, in the wake of weeks of protests and upheaval surrounding police brutality and racial inequality in the United States.

Gregory Smithers, history professor at Virginia Commonwealth University and co-author of “Racism in American Popular Media”, thinks these decisions are driven by profit. Essentially, these companies have made a calculated decision that their bottom line will suffer unless they step forward and do something. “The calls for change are so broad-based that corporate executives can see significant losses in profits if they don’t respond,” Smithers wrote in an e-mail. He notes that corporate reform in the 1960s were often the result of effective boycotts.

It’s one thing to change a logo, though, and another to tackle entrenched racism. Behnken notes that Quaker Oats’ senior management and board of directors is still predominantly white—”It’s odd for a white-owned company to use a black person as a mascot, no?”—and that it’s difficult to predict whether Quaker or Mars will embrace meaningful, long-term reform.

“This is one of those moments in American history when broad based coalitions are formed and the cross-section of issues—wealth inequality, institutional racism, gender discrimination—become so great that if they’re not effectively addressed the republic is imperiled.”

“This is the advertising version of statues tumbling down,” says Behnken.

Smithers believes that these corporate decisions auger more change to come: “This is one of those moments in American history when broad based coalitions are formed and the cross-section of issues—wealth inequality, institutional racism, gender discrimination—become so great that if they’re not effectively addressed the republic is imperiled.”

Pepsico has not indicated what new branded products, if any, will replace Aunt Jemima on supermarket shelves. Representatives from Pepsico and Mars did not respond to a request for comment.

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]]> Critic, cheerleader, or just-the-facts: As Covid-19 cases increase, food writers disagree on how to cover at-risk restaurants https://thecounter.org/food-writing-in-the-time-of-coronavirus-restaurants-sxsw/ Tue, 10 Mar 2020 17:39:57 +0000 https://thecounter.org/?p=39795 This year’s South by Southwest festival in Austin, Texas, canceled when Mayor Steve Adler declared a citywide state of emergency, was expected to bring in roughly $356 million to the local economy—much of it going directly to the city’s abundant bars and restaurants. As Tenderly food editor Summer Anne Burton noted, many Austin service workers […]

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With more and more people staying home, food businesses are taking a hit. How should the media be covering this?

This year’s South by Southwest festival in Austin, Texas, canceled when Mayor Steve Adler declared a citywide state of emergency, was expected to bring in roughly $356 million to the local economy—much of it going directly to the city’s abundant bars and restaurants. As Tenderly food editor Summer Anne Burton noted, many Austin service workers depend on that income boost to carry them the rest of the year.

This year, they’re out of luck, like many restaurant workers around the country, as the Covid-19 virus alters our behavior: In New York City, Chinatown restaurants have experienced as much as a 70 percent drop, with similar stories emerging in Atlanta, Pittsburgh, and dozens of other U.S. cities. Every day someone else tells us to stay home, while already-strapped restaurants try to stay afloat.

The downturn raises a question for media: How will journalists cover the crisis in an already vulnerable industry? New York Times food critic Pete Wells weighed in on Twitter this weekend: “Food media is about to execute one of its pivots into cheerleader-for-the-industry mode. I’ve done it myself in the past but it’s always an awkward move for journalists.”

The traditional journalism model dictates that our job is to gather the most accurate information possible, present it to readers, and allow them to make up their own minds. It’s okay to report on how delivery services impact sit-down restaurants’ bottom line, for instance, but not to exhort readers to stop using them.

But it can be hard to sit out a crisis of these proportions. “I get the impulse, I really do,” Wells told The Counter. “When Hurricane Sandy destroyed so much of lower Manhattan, I wrote a love letter to downtown restaurants, asking my readers to eat out. At that point (November 2012), I was still pretty new in my role. Would I have written that piece now? Probably not.”

Wells already tells readers what to do every week, from warnings to stay away—“you start to wonder who really needs to go to Peter Luger, and start to think the answer is nobody”—to the rush-right-over review of a Queens taco truck that serves “the most talked-about tacos of the year.” But that, he says, is the critic’s job. Being a cheerleader is not. “Our primary job is to serve our readers, not the restaurants,” he says. “It gets weird when food writers start to seem like advocates for an industry.”

As the U.S. Covid-19 caseload tips over the 600 mark this week, “business as usual” can feel forced, even frivolous, to some segments of food media. Laura Reiley, formerly a restaurant critic at the Tampa Bay Times and now a food-business reporter for the Washington Post, suggests that media should adapt its coverage—not by being boosters, but by putting reporting before criticism. “How useful is to talk about some restaurant’s garnish being off when you’re standing in three feet of water?” she asks.

“We’ve got Chinese restaurants literally closing because racist, inaccurate fears are keeping people away.”

Reiley was referring to the decision made by New Orleans restaurant critic Brett Anderson to stop reviewing restaurants in the aftermath of Hurricane Katrina. Anderson made a now-famous pivot from criticism to straight reportage, as he homed in on efforts to rebuild the city’s critically wounded food and drink scene. “If I started back pontificating about whether the panéed rabbit was up to snuff,” Anderson told the New York Times, “I would have been missing the bigger story, which was about recovery.”

Hillary Dixler Canavan, Eater’s national restaurant editor, thinks it’s appropriate to step in with solutions; she says that her outlet isn’t shy about calls to action. Her boss, Amanda Kludt, wrote this column entreating readers to patronize New York City’s Chinatown restaurants, hit hard by coronavirus fears. Canavan, who spent years working in restaurants before becoming a journalist, sees no reason to soft pedal or self-censor in times of crisis. 

“We’ve got Chinese restaurants literally closing because racist, inaccurate fears are keeping people away,” she says. “So yeah, you can write a news story talking about how these restaurants are suffering, and show that the reasons people aren’t eating there are dumb. But I have no trouble at all with explicitly telling readers: ‘Don’t be racist! Eat Chinese food!’”

“Coronavirus has hurt restaurants, sure. But so have a lot of things—times are tough! I’m not sure it’s my job to stump for the industry at large.”

The range of reactions is due, in part, to the range of media, from legacy media to influencer blogs; there are simply more ways to write about food than there used to be. Addie Broyles, food columnist for the Austin American Statesman, sees herself as serving all of Austin’s readers, many of whom work in the food industry. This means she’s comfortable trying to drum up business on social media. As she tweeted Friday, “No one person could spend enough money to mitigate this, but there’s a lot of disposable income in Austin and visitors who will come here anyway. Tip generously. Buy a cupcake. Take your friend out for a beer or a kombucha.”

To Broyles, the tweet qualifies as a bit of service journalism, like encouraging readers to shop at a particularly tasty farmers’ market booth, or warning them to avoid leafy greens during E. coli outbreaks. “My mandate is to advise my readers, and be responsible about it,” she says. “There is a place for me to be human, and to advise my readers in a way that benefits my overall community.”

For his part, Wells has not mentioned coronavirus in a review, and doesn’t know if he’s going to. “Coronavirus has hurt restaurants, sure. But so have a lot of things—times are tough! I’m not sure it’s my job to stump for the industry at large.” 

Wells’ West Coast counterpart, Los Angeles Times critic Bill Addison, agrees with the basic sentiment—but when he noticed that an exceptional Sichuan restaurant was nearly deserted, over the course of several visits, he decided to highlight three noteworthy Chinese restaurants in the San Gabriel Valley. He pointed out that they were emptier than they should be, something he chalked up to misplaced coronavirus fears. “Over the last month, I’ve seen a clear drop in traffic in restaurants and shopping centers in the SGV,” he wrote. “Fear is the cause … Now would be an excellent time to visit your favorite restaurants in the SGV.” 

Addison did not set out to find and help restaurants in trouble; he says the food came first. “My initial goal was to highlight some of the great things happening with Sichuan cuisine in the SGV,” he says. “That review was mostly intended to tell my readers, ‘Hey these places deserve your attention!’ But certainly, if the food wasn’t excellent, I wouldn’t have written the review.”

No one’s clear on what professional decision they’ll have to make in the weeks ahead. Broyles has held off on suggesting her readers start hoarding groceries, but she’s not ruling it out. And Wells floats his own potential scenario: “It may be that we shouldn’t have been telling you to eat out at restaurants at all! For all I know, I might end up telling readers to start cooking at home again.”

CORRECTION: An earlier version of this post misspelled the name of Hillary Dixler Canavan.

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]]> Is high-risk romaine simply the new normal? https://thecounter.org/romaine-ecoli-outbreak-cdc-fda/ Mon, 25 Nov 2019 23:11:44 +0000 https://thecounterorg.wpengine.com/?p=20360 Update 12/04/2019, 4:50 p.m.: CDC updated the number of victims to 102 and the number of hospitalizations to 58 (a very high ratio, relative to past outbreaks). There have now been cases reported in 23 states. We will continue to update this story. You’re forgiven if you mixed up Friday’s announcement of an E. coli […]

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Update 12/04/2019, 4:50 p.m.: CDC updated the number of victims to 102 and the number of hospitalizations to 58 (a very high ratio, relative to past outbreaks). There have now been cases reported in 23 states. We will continue to update this story.

You’re forgiven if you mixed up Friday’s announcement of an E. coli outbreak in romaine lettuce with the other E. coli outbreak in romaine lettuce announced earlier this month. Or, perhaps you’ve confused it with the E. coli outbreak in romaine lettuce around Thanksgiving 2018, or that other one near Thanksgiving 2017.

Our leafy green supply chain is simply not good,” says Angela Anandappa, supply chain expert and executive director of product safety watchdog Alliance for Advanced Sanitation. “What’s particularly bad is it’s starting to seem like we’re licked.”

The latest outbreak, unfortunately timed to coincide with one of this country’s biggest food holidays, is a new strain of Shiga toxin-producing E. coli 0157:H7 that appears to be particularly virulent. Of the 40 victims across 16 states identified thus far, 28 have been hospitalized. Five of these victims have developed hemolytic uremic syndrome, a very dangerous type of kidney failure. Laura Whitlock, communications lead for the Centers for Disease Control and Prevention’s (CDC) Outbreak Response and Prevention team, says the agency will likely announce more victims before Thanksgiving. 

“This is very much an ongoing investigation,” she says. “New data is coming in hourly, and we’re out there trying to tell restaurants and retailers what they should tell their customers.”

This particular E. coli outbreak seems to have roots in Salinas, California, one of the two main growing regions in the United States, also known as the country’s “salad bowl.” Past outbreaks have stemmed from Yuma, Arizona, where most of our lettuce is grown in the winter. 

As with past outbreaks, CDC and the Food and Drug Administration (FDA), which regulates about 75 percent of our food supply, are trying to walk a line between overbroad recommendations (i.e,. “Avoid all romaine lettuce”) and hyper-specific information that could confuse the public. The agencies’ current advice—avoid any romaine lettuce with a label showing it’s grown in Salinas, or doesn’t say where it was grown, unless it’s hydroponic lettuce, which is probably okay—skews closer to the latter. Additionally, FDA advises: Consumers ordering salad containing romaine at a restaurant or at a salad bar should ask the staff whether the romaine came from Salinas.” (FDA declined to provide comment for this story.)

“It’s an unfair burden to place on consumers!” says Bill Marler, a Seattle-based attorney who works on behalf of food poisoning victims and founded the industry publication Food Safety News in 2009. “I’m of the mind we should follow that lovely advice, ‘When in doubt, throw it out.’”

E. coli is a large group of bacteria that makes its home in human and animal digestive tracts. So whenever an outbreak turns up in vegetables, that’s not where it began. Often, there is an element of contaminated water, either used to irrigate or wash vegetables. In the first prominent case of E. coli poisoning in leafy greensa 2006 outbreak in spinach that resulted in 199 victims and three deathsthe culprit was likely feces from wild pigs, or contaminated irrigation water from a local livestock farm.

“It’s starting to approach the level where you need warning labels on romaine, calling it a high-risk food.”

Romaine surpassed iceberg years ago as America’s most popular lettuce; Marler believes its ubiquity is largely why it keeps popping up in E. coli outbreaks. “There’s more of it to contaminate,” he says. This, combined with its large surface area to absorb bacteria, nooks and crannies that defy washing, and the fact that—unlike E. coli-tainted meat—lettuce is rarely cooked, makes romaine a particularly challenging conduit for foodborne pathogens.

Investigators say it is too soon to know what the specific root of this outbreak is, and have yet to pinpoint a common supplier or region in Salinas (one voluntary bagged salad recall was issued, though Whitlock says that particular product was not consumed by many of the victims). If the recent past is any indicator, water contaminated by livestock could be the likely culprit here.

After last fall’s E. coli outbreak, the industry groups United Fresh Produce Association and the Produce Marketing Association created a task force to identify root causes of the ongoing contamination. Improved water quality management and testing was the very first recommendation from their final report, as well as a suggestion that the proximity between lettuce farms and concentrated animal feeding operations—commonly called CAFOs—is strongly indicated as a risk factor. 

The task force also pushed for improved origin labeling on lettuce packaging, so consumers and retailers can more readily identify if a particular item falls under an official product warning. Of course, this method only works if the consumer goes shopping armed with the knowledge that this outbreak started in Salinas, unlike the last one. 

“It’s starting to approach the level where you need warning labels on romaine, calling it a high-risk food,” says Marler. “We aren’t there yet, but almost.” Though FDA will be publishing a list of “high-risk foods,” and has made recommendations against, say, alfalfa sprouts for vulnerable populations, there are not currently produce warning labels like the ones you’d find on a pack of cigarettes.

Whitlock says it’s possible CDC could recommend stronger advice in coming days, such as avoiding all romaine lettuce, regardless of origin. “That is certainly not off the table,” she says.

People usually get sick anywhere between 2 and 8 days (average of 3 to 4 days) after exposure to Shiga toxin-producing E. coli. If you have a high fever, bloody diarrhea, or severe vomiting, or if diarrhea lasts longer than 3 days, CDC recommends seeing a doctor immediately.

We will update this story as more information becomes available.

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]]> Two years after the start of a salmonella outbreak in turkey, CDC says new cases are still being reported https://thecounter.org/salmonella-cdc-centers-for-disease-control-turkey/ Thu, 21 Nov 2019 20:54:54 +0000 https://thecounterorg.wpengine.com/?p=20329 Last November, we reported on an ongoing investigation by the Centers for Disease Control and Prevention (CDC) into turkey products that had been contaminated with salmonella bacteria. On Thursday, CDC announced that illness reports from the outbreak are still coming in—and that people should continue to exercise caution when preparing turkey this season. The report, […]

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Last November, we reported on an ongoing investigation by the Centers for Disease Control and Prevention (CDC) into turkey products that had been contaminated with salmonella bacteria. On Thursday, CDC announced that illness reports from the outbreak are still coming in—and that people should continue to exercise caution when preparing turkey this season.

The report, which appeared in CDC’s delightfully named Morbidity and Mortality Weekly Report, provides new insight into a food poisoning outbreak that sickened at least 356 people in 42 states and Washington, D.C., between November 2017 and March 2019. And, though the agency’s investigation officially ended in April, the new report says that “cases continue to be identified.” At least 132 people have been hospitalized in the outbreak, and one person died.

The report also highlights how diffuse the contaminated turkey products have been, with no common supplier, type of product (ground turkey, whole, frozen turkeys, and so on), or production facility. “Evidence suggests that this outbreak strain has become widespread within the turkey production industry, warranting continued preventive actions to reduce contamination,” the report reads.

In July 2018, the CDC and the Department of Agriculture’s Food Safety and Inspection Service (FSIS) took the unusual step of meeting with representatives throughout the turkey industry, rather than one particular supplier. The goal was to emphasize the prevalence and danger of the foodborne pathogen, and encourage industry players to better monitor all parts of the supply chain, including “slaughter and processing facilities and upstream farm sources.”

The report also admonishes the public to be more diligent about keeping turkey preparation safe and clean. Citing USDA research into food safety best practices, it indicates that some illnesses could have been prevented if the victims had cooked the meat to a safe, bacteria-killing temperature of 165°F. Also, because some of the illnesses were traced back to raw meat that had been fed to pets, CDC underscored its position that raw pet food diets should be avoided.

Here are some easy steps to take when working with raw turkey:

  • Never, ever wash your turkey. The impulse is understandable, but it doesn’t accomplish much and makes it easy for bacteria-laden water to cross-contaminate your kitchen surfaces.
  • Do wash your hands, however, before you cook and frequently throughout preparation. (Consumer Reports—where I was formerly employed as an editor—has a handwashing guide, if you need a refresher.) It’s very easy to spread contamination by touching doorknobs, spice bottles, cell phones, and other everyday items.
  • Thaw turkeys safely: In a container in your refrigerator, in a leak-proof bag in the sink, or in the microwave according to manufacturer instructions.
  • Always use a meat thermometer, inserted into the thickest portions of the breast, thigh, and wing joint, to ensure it has reached 165°F.

Update, 11/21/2019, 4:29 p.m.: After this story published, a CDC spokesperson emailed some additional information: “Cases have been reported as recently as late October, which underscores the message in the MMWR report that this strain is widespread within the turkey production industry, warranting continued preventive actions to reduce contamination.”

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Why is celery powder so controversial? https://thecounter.org/organic-celery-powder-nosb-vote/ Thu, 24 Oct 2019 17:52:19 +0000 https://thecounterorg.wpengine.com/?p=20015 On Thursday, the Department of Agriculture’s National Organic Standards Board (NOSB) voted to keep celery powder on its list of approved organic ingredients⁠. Nbd, right? Wrong. It’s a big, controversial deal. While it’s within the board’s purview to gradually delist certain agricultural ingredients from the roster of acceptable additives in USDA-certified organic foods—see the big […]

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On Thursday, the Department of Agriculture’s National Organic Standards Board (NOSB) voted to keep celery powder on its list of approved organic ingredients⁠. Nbd, right?

A significant amount of processing goes into producing celery powder for use in cured meats, and the celery itself does not have to be organic.

Wrong. It’s a big, controversial deal. While it’s within the board’s purview to gradually delist certain agricultural ingredients from the roster of acceptable additives in USDA-certified organic foods—see the big kerfuffle over carrageenan—advocacy groups are urgently pushing for celery powder’s removal. And both Consumer Reports (where I was previously employed as a food editor) and Center for Science in the Public Interest (CSPI) are petitioning USDA to revise its labeling laws around the ingredient, which they say are “actively misleading” to consumers.

Celery powder stands distinct from other plant-based seasonings, largely for its use in curing meats (deli turkey and sausage, for instance). But unlike synthetic nitrates and nitrites, which accomplish similar processing objectives—more on this below—celery powder is allowable as an organic ingredient. At issue is the fact that a significant amount of processing goes into producing celery powder for use in cured meats, and that the celery itself does not have to be organic. 

Additionally, unlimited quantities of this powder are also allowed in meats which are labeled “uncured” or “nitrate-free.” Consumer Reports and CSPI would like broad changes to processed meat labels, so brands like Niman Ranch and Applegate cannot call their celery-enhanced products uncured.

Celery powder, made by dehydrating, concentrating, and grinding down the green-stalked veggie, has a powerful ability to season, color, preserve, and disinfect cured meats.

Even the most dedicated celery enthusiast⁠—a juice cleanser, for instance, or an ants-on-a-log nostalgist⁠—probably doesn’t spend much time thinking about celery powder. But the humble ingredient, made by dehydrating, concentrating, and grinding down the green-stalked veggie, also has a powerful ability to season, color, preserve, and disinfect cured meats. 

It does this job so well, in fact, that Applegate and Niman Ranch, which bill themselves as more conscientious meat purveyors than the ubiquitous Big Four, use celery powder as a greener-seeming, healthier-sounding alternative to the man-made additive sodium nitrite, which is used in conventionally cured hot dogs, ham, and bacon. 

And therein lies the rub. 

“There is little evidence that preserving meats using celery … is any healthier than other added nitrites,” says Dariush Mozaffarian, dean of the Friedman School of Nutrition Science & Policy at Tufts University. “Until industry provides strong evidence that nitrites in celery juice have different biologic effects than nitrites from other sources, it’s very misleading to label these [products] as ‘nitrite free’ or to consider such processed meats as being healthier.”

Uncured labels helped indicate to shoppers that the antibacterial powers of nitrates were not present in a meat product.

Though technically distinct, the terms nitrates and nitrites are often lumped together on food labels, and in discussions of their effects. Examples of these chemical compounds include potassium nitrate and sodium nitrite, which have been industrially produced for many decades to suppress harmful bacteria in processed meats, most notably the toxin that causes botulism. They also perform some extracurricular functions along the way, like providing a pinkish hue (baloney would be a flat gray without them), extending shelf life, and adding a singular but hard-to-define flavor profile.

“There’s a flavor we come to expect in cured meats that is unique and hard to quite put your finger on,” says Joseph Sebranek, Morrison Endowed Chair of meat science at Iowa State University. “Imagine the difference between ham and roast pork: Certainly there are stronger notes of salt and smoke in the ham, but it’s more than that. There is a unique flavor that only comes from curing.”

Forty or 50 years ago, manufacturers who wanted to process meats without man-made preservatives were largely out of luck. And those who’ve tried to sell truly uncured meats have ended up producing gray products with odd textures and flavors.

“I’m not trying to dumb it down too much here,” says Jeffrey Sindelar, professor of meat science at the University of Wisconsin, Madison, “but a truly uncured hot dog is just loose ground meat in a casing.”

In the 1990s, food scientists discovered that naturally occurring nitrites in vegetables were a perfect stand-in for a lab-produced analog.

USDA labeling requirements for meats containing nitrates have long offered producers and processors a binary choice: Traditional cured meats, with added nitrates and nitrites noted on the ingredient label, and “uncured” meats, aka everything else. And until about the 1990s, that seemed to work fine. 

Sebranek says that four decades ago⁠—an era he describes as the “salad days” of nitrates⁠—a few manufacturers attempted to sell uncured bacon and other meats, with limited success. At the time, the uncured label helped indicate to shoppers that the antibacterial powers of nitrates were not present in a meat product. 

But over time, consumer demands shifted. Fears of botulism and bacteria morphed into concerns over unhealthy, potentially carcinogenic preservatives. Finally, in the 1990s, food scientists discovered that naturally occurring nitrites in vegetables were a perfect stand-in for a lab-produced analog. Trouble was, most veggies changed the flavor and color of meat.

“I did a little experiment a while back, using nitrites from beets and radishes to cure meats at home,” says Sindelar. “The problem is, I got hot dogs that tasted like radishes and were bright red like beets!”

Celery powder came into favor because of its particularly high concentrate of nitrites, as well as a mild flavor that didn’t much impact the meat’s taste. But it was treated by regulators solely as a flavoring agent. Thus, a package of “uncured” bacon from Whole Foods could still include celery powder, typically only drawing attention with a tiny asterisk next to “no nitrites or nitrates added”: *except for those naturally occurring nitrates and nitrites in celery powder

There is a broad consensus that whether nitrites are man-made or come from celery or other vegetables, they are virtually indistinguishable to the human body.

Perhaps you’re wondering why the distinction matters at all. Loosely explained, in certain conditions—high heat, or bonding with a protein—nitrites convert to nitrosamines, compounds that have been linked to cancer. These links first came to light in the 1970s, after lab studies on rats and other animals showed a likely carcinogenic connection. The Food and Drug Administration (FDA) considered banning sodium nitrite, but ultimately declined. 

Though the World Health Organization has defined processed meat as a known carcinogen, it’s yet to be proven whether nitrites and nitrates are the only cause. Still, there is a somewhat broad consensus that whether those nitrites are man-made or come from celery or other vegetables, they are virtually indistinguishable to the human body. “There is absolutely no difference in the way we process nitrites,” says Sebranek. “It makes no sense how these products are labeled differently.”

Ironically, traditionally cured meats are subject to clearly defined nitrate and nitrite limits, while “uncured” meats containing celery powder⁠—which every source I spoke with agreed are generally misclassified—aren’t subject to any limits. Tamar Haspel, a columnist for The Washington Post, noted this quirk in an April piece titled, “The Uncured Bacon Illusion.” She wrote: “When the nitrite comes from sodium (or potassium) nitrite, it’s regulated (allowable levels vary by product). There are no limits for nitrite from celery powder.”

“Non-organic celery is used to produce celery powder, with concomitant use of allowed conventional pesticides and fertilizers. These materials may pose risks to workers, consumers and the environment.”

In the letter submitted by Consumer Reports and CSPI to USDA’s Food Safety and Inspection Service (FSIS), the senders demand the agency “require a front-of-package declaration and clear ingredient labeling whenever nitrates or nitrites are used in meats, regardless of the source.” The petition cites widespread consumer confusion over “uncured” labels, as evidenced by a survey conducted by Consumer Reports, and points to the evidence that nitrites may be carcinogenic.

“When consumers see that uncured label, they assume they aren’t getting the same health impacts as with other cured meats. This is basically a form of ‘health-washing,’” says Sarah Sorscher, deputy director of regulatory affairs at CSPI. “A variety of groups like the American Heart Association and the American Cancer Society have weighed in on the dangers of processed meats, none of which are reduced with the use of celery powder.”

OrganicEye, a self-proclaimed organic industry watchdog (and an offshoot of the advocacy group Beyond Pesticides), has sent a petition to NOSB, which states that the “continuance of celery powder on the National List, violates the trust of consumers who seek out organic food as a safe haven from what is conventionally offered in the supermarket and all too often contains dangerous and risky ingredients.”

“In terms of human health risks from nitrates/nitrites in food, there is no difference between celery or other plant-based nitrate sources versus synthetic nitrates and nitrites used on non-organic meats.”

Thursday’s organic vote will determine if celery powder stays on the list of allowable organic ingredients for five more years. It comes on the heels of a lengthy discussion of the matter at an April NSOB meeting, including the convening of “a celery powder expert panel.” In minutes from that meeting, it was noted: “Non-organic celery is used to produce celery powder, with concomitant use of allowed conventional pesticides and fertilizers. These materials may pose risks to workers, consumers and the environment.” (In another bit of dark irony, an extensive Environmental Working Group study found that, among vegetables, non-organic celery absorbs the highest level of pesticides and other chemicals.)

Additionally, the minutes stated that, “In terms of human health risks from nitrates/nitrites in food, there is no difference between celery or other plant-based nitrate sources versus synthetic nitrates and nitrites used on non-organic meats.” Nonetheless, due to factors that included a lack of organic celery producers, or of adequate alternatives for curing organic meats, a subcommittee voted to keep celery powder on the list. That vote will be considered by the full board in making this week’s decision.

When asked to comment in advance of Thursday’s vote, a USDA spokesperson wrote, “The Department does not take positions on National List topics until after the Board makes a recommendation.” 

UPDATE 10/25/2019 7:35 a.m.: The National Organic Standards Board voted 11 to 1 to keep celery powder on the list of acceptable organic ingredients. It will be up for consideration again in five years.

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